Asa Boxer

Boxer 2015

Asa Boxer’s debut book, The Mechanical Bird (2007), won the Canadian Authors Association Prize for Poetry, and his cycle of poems entitled “The Workshop” won the 2004 CBC/enroute Literary Award. His work has been anthologized in various collections, including The New Canon: An Anthology of Canadian Poetry, the Oxford-Poetry Broadside Series and The Best Canadian Poetry in English, 2009 and 2012. His writing has appeared in various magazines in Canada, the UK, Ireland, Australia and Belgium.  His poems, articles and reviews have appeared in Poetry London, Poetry Ireland, The Dark Horse, Arc Poetry Magazine, The Malahat Review, Books in Canada, Maisonneuve, and Canadian Notes & Queries. His latest books are Skullduggery (Signal, 2011) and Friar Biard’s Primer to the New World (Frog Hollow Press, 2013). Boxer is also founder and manager of the Montreal International Poetry Prize.  Asa Boxer’s poetry has garnered several prizes and is included in various anthologies around the world. His books are The Mechanical Bird (Signal, 2007), Skullduggery (Signal, 2011), Friar Biard’s Primer to the New World (Frog Hollow Press, 2013) and Etymologies (Anstruther Press, 2015). Boxer is also a founder and manager of the Montreal International Poetry Prize.

https://twitter.com/asaboxer

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Robert Priest

rp photo by david laurence

Robert Priest, Photo by

ROBERT PRIEST POET

 Robert Priest is the author of 20 books of poetry and prose and 3 spoken word recordings. His poetry video platforms on the web have attracted over a hundred thousand hits and he is a mainstay of the spoken word circuit in Canada and all over the world. His words have been decried in the legislature (see the video at youtube/greatbigfaced), turned into a hit song, posted in the transit system, broadcast on MuchMusic, charted on John Sakomoto’s anti-hit list, quoted by politicians, sung on Sesame Street and widely published in text books and anthologies.

 

His latest books are Previously Feared Darkness, ECW Press. (“Dense, humourous , knowing, pleading, consoling and entirely invigorating poems of the first class.” – Michael Dennis)  and a book of praise poems written for children: Rosa Rose published in June 2013 by Wolsak & Wynn  (“Rosa Rose and Other Poems is a beautiful poetry collection that needs to be on every child’s bookshelf and is sure to make young readers lovers of history and poetry.” – Inderjit Deogun CM magazine)

His 2008 book, Reading the Bible Backwards, rose to number two on the Globe and Mail’s poetry bestsellers list, its sales exceeded only by those of Leonard Cohen. “Priest renders the quotidian and intellectualizes it for us in a genius-sampling tool–himself… A sensational book.”  Nathaniel D. Moore, Broken Pencil Magazine.

“Poetry full of flashes of insight. Imaginative in a strange way, he takes inordinate chances with logic, countering absurdity with absurdity, and expanding our sense of human emotional possibilities.”

-The Oxford Companion to Canadian Literature

His micro poems have found their way into The Farmer’s Almanac and Colombo’s Canadian Quotations. “There will always be plenty of space on the pages of my ‘quote books’ for the brilliant aphorisms of Robert Priest.” -John Robert Colombo

Robert first came to national attention as early as 1986 when his spoken word video/single Congo Toronto received nation-wide airplay on MuchMusic for over three months establishing for Priest a unique place in the poetry/music canon. In 1989, his collection of poems, The Mad Hand, was the recipient of the Milton Acorn People’s Poetry award. The spoken word CD Rotweiller Pacifist, l988, continued the tradition with a collection of twenty spoken word pieces, many of them accompanied by tracks and beats. Robert’s 3rd spoken word CD, Tongue’n’Groove, was released on EMI’s prestigious Artisan label in l998.

“Grand and Mystical.” (Eye Magazine)

During the past decade Robert has concentrated his poetic performances on the web platforms poempainter.com, and youtube.com/greatbigfaced where a rotating series of spoken word videos, song-poems and micro-poems are available for public consumption. These attest to Robert’s abilities as a great live performer. They also attest to his appeal, the video: One Crumb having received well over 100,000 hits so far.

“Consistently One Of The Most Entertaining Acts In Town!” – Now Magazine

Robert lives in Toronto where he continues to write his “Passionate, cocky alternately adoring and insulting verse.” (The Toronto Star).

 

ON ROBERT PRIEST’S POETRY

“Modern classics.”  -Donna Lypchuck, Eye Magazine

“He is certainly one of the most imaginatively inventive poets in the country.”  -The Pacific Rim Review of Literature

A truly invigorating combination of rants raves and reveries.  A candidly close encounter with an assured literary intelligence.    -The Toronto Star

Beautifully captures the rainbow of emotions that comprise the human spirit.. Intoxicatingly lovely!    –Now Magazine

“Robert Priest’s poems will speak to many generations.” –Bernice Lever, Canadian Book Review Annual

“Poetry full of flashes of insight. Imaginative in a strange way, he takes inordinate chances with logic, countering absurdity with absurdity, and expanding our sense of human emotional possibilities.”-The Oxford Companion to Canadian Literature

“Priest renders the quotidian and intellectualizes it for us in a genius-sampling tool–himself…This is a sensational book.” – Broken Pencil Magazine

“Grand and Mystical.” (Eye Magazine)

“Priest employs his technical chops in the service of a pop-cult intellectual hook that could easily have proven facile. And the results are often brilliant.” –Jordan Zinovich, The Big Bridge

Dramatic and visionary.  There is a superb balance between poetry of ideas and poetry of feeling.  The content is frank and often erotic, but the leaven of laughter is never far away…. Magnificent, profound, religious and challenging.–Canadian Book Review Annual

“From the short, satirical Wedding Poem, through the intensely beautiful Hera to the visionary and political Lesser Shadows, Priest shows a depth and complexity that operates on many levels, raising his performance above a bar-room rant or a wishy-washy poetry reading to an intense experience, something akin to a trance session” – Lucy Mallows (Budapest Sun – Oct 22-28 1998)

“Some of these are mellow thoughts about lovers, poems and trees, others are down right rambunctious rocking sprees or resemble the scary voices you hear in your head. He’s got a range.” – Elysia Gallo (Budapest Week)

“The guiding thematic spirit of this entertaining collection may be backwardness, but it showcases a poet whose roving imagination is omni-directional.” The Toronto Star

 

Festivals Where Robert Priest has performed

Calgary International Spoken Word Festival, The Canadian Festival of the Spoken Word in Toronto and Festival Voix d’Amerique in Montreal, Poetry Gabriola, Words Aloud. He has also delivered the word at the Overload Festival in Melbourne Australia, the Kacat Kabaret in Budapest, the Free the Word Festival in Stockholm Sweden,  the Mariposa Folk Festival, the Hillside Festival, The Eaglewood Folk Festival,, the Berkley Slam, the Couchiching Think Tank and Toronto’s North by North East. Plus The International Festival of  Authors in Toronto, the Cambridge Festival, The Vancouver Writer’s Festival, The Winnipeg Writer’s Festival, The Kingston Writer’s Festival, The Acorn Festival, The Melbourne Writer’s Festival (Aus)  The Ottawa Literary Festival, Eden Mills Festival, the Leacock Festival.

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NEW PUBLICATION!

PRAGER, Jerry—“ECHOES IN THE TIMBERS”

This prose poem, told in three voices, focuses on an inquest into the death of Margaret Buckingham, an escaped American slave found frozen by a picket fence in Puslinch, 1854.

The characters speaking in the seven monologues of the poem are Margaret Buckingham, Jerry Collins, and Nicholas Beaver—the Quaker Abolitionist who had built himself a log house on Brock Road, south of Aberfoyle, back in 1832 and later sheltered refugees, such as Margaret. This house, in whose timbers the events of the narrative now echo, was the very setting of Jerry’s first performance of his poem in September 2014. Having been moved to Pilkington Township in the 1980s, Beaver House is now home to the Elora Poetry Centre.

“Echoes in the Timbers” was read by Jerry at the Centre on two occasions, the first performance preceded by music from the Canadian Underground Railroad performed by Muddy York.

The 21-page poem is being printed on high quality paper, with stiff paper covers, and hand-stitched in the style of an old chap-book, accompanied by a booklet of copious endnotes. The two parts will be enclosed in a stiff card sleeve to make a presentation gift.

Limited to 50 copies. Numbered and signed by the author. $49.00 (postage extra)

(pre-orders to receive 10% discount)

Due to be published May 2016

 

Works by Cid Corman

Corman, Cid. OF (three volumes) $450.00 CAN (plus shipping)

Vol. 1 & 2, Item Description: Lapis Press, Venice, CA, 1990. Vol. 1, 756 pp. & vol. 2, 748 pp. First edition. The first two volumes were printed in California at Lapis Press, and the third in Kyoto, Japan, at the Origin Press. Part of a yet unpublished 5 volume set. All three volumes contain 750 poems each. Thick 8vos, stiff white wrappers with front and back cover design in black by the late Sam Francis; cloth spines; sturdy black cloth slipcase.

Vol. 3, Item Description: Origin Press, 1998, 790 pp. plus index. First edition. Limited to less than 200 copies; soft cloth bound sewn wraps. Like vols. 1 & 2, held in a sturdy cloth-covered slipcase. New. It matches the first two volumes as issued from Lapis Press (1990), including cover art by Sam Francis. Composition in Baskerville and printed in Kyoto, Japan. Thick 8vos, stiff white wrappers with design by Sam Francis; black cloth spine; stiff black cloth slipcase.

Asa Boxer and Fish Quill, 15 August 2015

The programme began at 3:00 pm with a reading by Asa Boxer, followed by performances by Fish Quill, and then a light finger-food supper and wine, allowing guests to mingle and exchange ideas.

Asa Boxer

Asa Boxer’s debut book, The Mechanical Bird (2007), won the Canadian Authors Association Prize for Poetry, and his cycle of poems entitled “The Workshop” won the 2004 CBC Literary Awards. His work has been anthologized in various collections, including The New Canon: An Anthology of Canadian Poetry, the Oxford-Poetry Broadside Series and The Best Canadian Poetry in English, 2009 and 2012. His writing has appeared in various magazines in Canada, the UK, Ireland, Australia and Belgium.  His poems, articles and reviews have appeared in Poetry London, Poetry Ireland, The Dark Horse, Arc Poetry Magazine, The Malahat Review, Books in Canada, Maisonneuve, and Canadian Notes & Queries. His latest books are Skullduggery (Signal, 2011) and Friar Biard’s Primer to the New World (Frog Hollow Press, 2013). Boxer is also founder and manager of the Montreal International Poetry Prize.

Fish Quill

Abigail Lapell is a Canadian folk noir singer-songwriter. Drawing from traditional folk, indie and punk rock influences, her music is at once fresh and familiar—intuitive melodies, sparse-plucked guitar and a voice like autumn smoke.

Dana Sipos is interested in alternative touring means and has toured by bicycle and tall-ship, and can’t wait to tour by canoe. She is a poet and song-crafter and recently released her third album described by Folk Roots Radio as “hauntingly beautiful, ethereal, mesmerizing and captivating.” 

Mira Pinkus is a poet-musician who is known to sing poetry without words and write melodies in silence. Her poetry, often balancing the highly abstract with the immediate and sensuous, has appeared in Red Claw Press and Fringe.

Bobby Gadda is an interdisciplinary interactive performance artist, best known for building and riding a freaky tall bike across North America. He is a classically trained flautist as well as an un-classically trained banjo player.

Alix Aylin is a self-taught trumpet player, having learned along the way on several bicycle trips through Canada, the US and Mexico.  She is an avid long distance tourer, seeking out inspiration in the vastness of landscapes accessible only by human powered vehicles.

Liana Rose couldn’t bring her piano on a canoe, so you might catch her with a ukulele, guitar or dulcimer. She’ll sing her little heart out anytime, be it alongside friends in the redwood forests or alone under the stars in rolling desert sands.