The Self-Portrait Exhibit is still planned to go ahead, as a series of videos. Anyone who is interested, please contact us as we would like to plan this event for late spring / early summer 2021. A fun event with a minimal $20.00 entrance fee. Details will be available on our web page.
Karen Houle gave a synchronous reading on Feb. 4 from The Grand River Watershed: A Folk Anthology, short-listed for the Governor General’s Literary Award for Poetry in 2019. This event, funded by the Canada Council and Writers’ Union of Canada as part of the National Public Readings Program, was cosponsored by Renison University College at University of Waterloo and the Elora Poetry Centre & Gallery.
Here is the link to the recording of this event on YouTube: https://youtu.be/14mJ8fqRlxA
The following is from the book’s publisher, Gaspereau Press:
The Grand River Watershed: A Folk Ecology
How might we grasp the natural history of a river in a way that transcends mere data and description? How might we chronicle the way in which a living consortium of geology, weather, plants, animals and people has impacted, and been impacted by, the existence of a particular watercourse over the passage of time? In her new book, philosopher and poet Karen Houle employs the wiliest tool she knows—poetry—to contemplate the complexities of the Grand River watershed in southern Ontario, stretching our notions of what can be known about a river.
Houle’s writing is inspired by, and borrows from, various kinds of scientific inquiry and documentation, integrating strands of thought from across the fields of archeology, entomology, molecular ecology, cultural anthropology and geography. But these established sources aren’t presented as the sole custodians of all that’s worth knowing. With often jarring juxtapositions and a prosody that sometimes flirts with chaos, Houle’s poems make a virtue of straining against the settled rules, agitating for a more complex, robust portrayal of the Grand River watershed by fusing apparently disparate narratives and methodologies—the scientific and the anecdotal, the personal and the collective, the emotion and the information, and the organic and the manufactured.
Like the river itself, Houle’s The Grand River Watershed suggests how seemingly jumbled, separate parts in fact exist in a web of relationships. For Houle, the best hope we have of comprehending the complexities of a phenomenon like the Grand River is rooted in our accumulated encounters with, and our collective articulation of, the river’s countless aspects over time, not in any one measurable part or moment of it.
Houle’s creative pairing of literary and ecological modes presents the Grand River as a complex living system that is full of interconnection and meaning, reinvigorating poetry’s possibilities as a tool for engaging with and speaking of the natural world.